Welcome to the first post of our read a long of The Social Life of Inkstones: Artisans and Scholars in Early Qing China by Dorothy Ko! For this post we are reading the introduction.
Since this the introduction to the book, I thought it might be nice for us to introduce ourselves, so here are some optional discussion questions:
1. What do you hope to get out of reading this book? What do you hope to get out of the read a long format?
2. What is your experience reading academic history books? (No experience necessary of course, but it's helpful for me to know for planning purposes)
3. What is your experience using an inkstone or writing languages that historically where written with inkstones?
4. In the introduction what did you find interesting and/or exciting?
Since this the introduction to the book, I thought it might be nice for us to introduce ourselves, so here are some optional discussion questions:
1. What do you hope to get out of reading this book? What do you hope to get out of the read a long format?
2. What is your experience reading academic history books? (No experience necessary of course, but it's helpful for me to know for planning purposes)
3. What is your experience using an inkstone or writing languages that historically where written with inkstones?
4. In the introduction what did you find interesting and/or exciting?
no subject
Date: 2022-02-17 05:58 am (UTC)I have no experience with inkstones. I did used to be able to write quite a lot more in simplified Chinese characters (I was taking language lessons and wrote a lot of my notes in Chinese), but I've lost a lot of that and don't have much time for practice.
In addition to what's already been mentioned, I thought the comments she made about how the idea of class got fluid and how that was possibly connected to people who might otherwise have been considered high class being barred from becoming scholars.
no subject
Date: 2022-02-17 11:38 pm (UTC)no subject
Date: 2022-04-05 12:19 pm (UTC)